ROLAND PARIS COLD-PAINTED BRONZE GROUP 'SATANELLA' OR 'LE DIABLE AMOREAUX', CIRCA 1928 | Statues | Art Deco Collection
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ROLAND PARIS COLD-PAINTED BRONZE GROUP 'SATANELLA' OR 'LE DIABLE AMOREAUX', CIRCA 1928
  • ROLAND PARIS COLD-PAINTED BRONZE GROUP 'SATANELLA' OR 'LE DIABLE AMOREAUX', CIRCA 1928
  • ROLAND PARIS COLD-PAINTED BRONZE GROUP 'SATANELLA' OR 'LE DIABLE AMOREAUX', CIRCA 1928
  • Roland Paris, a prominent figure in the Art Deco movement, created the captivating bronze group “Satanelle” or “Le Diable Amoreaux” around 1928. Modeled and cast as characters from the Pantomime ballet, with the caped Satan looming over his masked and caped female companion, on a shaped black and white marble base, signed ROLAND PARIS. His work often reflected a compassionate perspective, contrasting with the more biting critiques of his contemporaries. His ability to infuse his creations with a sense of humanity set him apart, as evidenced by his acclaimed piece featured on the cover of Alberto Shayo’s book, a testament to its significance within his body of work.Born in Vienna (1894-1945) Paris, he honed his craft at the Weimar Kunstschule before furthering his studies in Munich. His artistic pursuits extended beyond sculpture, including wood carving, graphic design, and illustration. Renowned for his unique style, Paris was distinguished by his satirical caricatures and whimsical humor. While he likely drew inspiration from artists like George Grosz and Otto Dix, his approach was notably more empathetic, portraying his subjects with kindness and a softer touch.Paris eventually settled in Berlin, establishing himself as a versatile artist with a distinct aesthetic. The bronze group “Satanelle” or “Le Diable Amoreaux” is a tribute to Paris’s skill and artistry. This piece exemplifies his ability to capture the essence of his subjects with depth and sensitivity. Paris’s legacy extends beyond his technical proficiency; his unique approach to portraying humanity shines through, making his work influential and enduring in Art Deco artistry.The overall condition of this nearly 100-year-old piece is remarkable, particularly considering its age. Minor color loss, as depicted in the photos, is the only notable issue. The original patina remains intact, retaining its exquisite depth and dimensionality.
  • Roland Paris, a prominent figure in the Art Deco movement, created the captivating bronze group “Satanelle” or “Le Diable Amoreaux” around 1928. Modeled and cast as characters from the Pantomime ballet, with the caped Satan looming over his masked and caped female companion, on a shaped black and white marble base, signed ROLAND PARIS. His work often reflected a compassionate perspective, contrasting with the more biting critiques of his contemporaries. His ability to infuse his creations with a sense of humanity set him apart, as evidenced by his acclaimed piece featured on the cover of Alberto Shayo’s book, a testament to its significance within his body of work.Born in Vienna (1894-1945) Paris, he honed his craft at the Weimar Kunstschule before furthering his studies in Munich. His artistic pursuits extended beyond sculpture, including wood carving, graphic design, and illustration. Renowned for his unique style, Paris was distinguished by his satirical caricatures and whimsical humor. While he likely drew inspiration from artists like George Grosz and Otto Dix, his approach was notably more empathetic, portraying his subjects with kindness and a softer touch.Paris eventually settled in Berlin, establishing himself as a versatile artist with a distinct aesthetic. The bronze group “Satanelle” or “Le Diable Amoreaux” is a tribute to Paris’s skill and artistry. This piece exemplifies his ability to capture the essence of his subjects with depth and sensitivity. Paris’s legacy extends beyond his technical proficiency; his unique approach to portraying humanity shines through, making his work influential and enduring in Art Deco artistry.The overall condition of this nearly 100-year-old piece is remarkable, particularly considering its age. Minor color loss, as depicted in the photos, is the only notable issue. The original patina remains intact, retaining its exquisite depth and dimensionality.
  • Roland Paris, a prominent figure in the Art Deco movement, created the captivating bronze group “Satanelle” or “Le Diable Amoreaux” around 1928. Modeled and cast as characters from the Pantomime ballet, with the caped Satan looming over his masked and caped female companion, on a shaped black and white marble base, signed ROLAND PARIS. His work often reflected a compassionate perspective, contrasting with the more biting critiques of his contemporaries. His ability to infuse his creations with a sense of humanity set him apart, as evidenced by his acclaimed piece featured on the cover of Alberto Shayo’s book, a testament to its significance within his body of work.Born in Vienna (1894-1945) Paris, he honed his craft at the Weimar Kunstschule before furthering his studies in Munich. His artistic pursuits extended beyond sculpture, including wood carving, graphic design, and illustration. Renowned for his unique style, Paris was distinguished by his satirical caricatures and whimsical humor. While he likely drew inspiration from artists like George Grosz and Otto Dix, his approach was notably more empathetic, portraying his subjects with kindness and a softer touch.Paris eventually settled in Berlin, establishing himself as a versatile artist with a distinct aesthetic. The bronze group “Satanelle” or “Le Diable Amoreaux” is a tribute to Paris’s skill and artistry. This piece exemplifies his ability to capture the essence of his subjects with depth and sensitivity. Paris’s legacy extends beyond his technical proficiency; his unique approach to portraying humanity shines through, making his work influential and enduring in Art Deco artistry.The overall condition of this nearly 100-year-old piece is remarkable, particularly considering its age. Minor color loss, as depicted in the photos, is the only notable issue. The original patina remains intact, retaining its exquisite depth and dimensionality.
  • Roland Paris, a prominent figure in the Art Deco movement, created the captivating bronze group “Satanelle” or “Le Diable Amoreaux” around 1928. Modeled and cast as characters from the Pantomime ballet, with the caped Satan looming over his masked and caped female companion, on a shaped black and white marble base, signed ROLAND PARIS. His work often reflected a compassionate perspective, contrasting with the more biting critiques of his contemporaries. His ability to infuse his creations with a sense of humanity set him apart, as evidenced by his acclaimed piece featured on the cover of Alberto Shayo’s book, a testament to its significance within his body of work.Born in Vienna (1894-1945) Paris, he honed his craft at the Weimar Kunstschule before furthering his studies in Munich. His artistic pursuits extended beyond sculpture, including wood carving, graphic design, and illustration. Renowned for his unique style, Paris was distinguished by his satirical caricatures and whimsical humor. While he likely drew inspiration from artists like George Grosz and Otto Dix, his approach was notably more empathetic, portraying his subjects with kindness and a softer touch.Paris eventually settled in Berlin, establishing himself as a versatile artist with a distinct aesthetic. The bronze group “Satanelle” or “Le Diable Amoreaux” is a tribute to Paris’s skill and artistry. This piece exemplifies his ability to capture the essence of his subjects with depth and sensitivity. Paris’s legacy extends beyond his technical proficiency; his unique approach to portraying humanity shines through, making his work influential and enduring in Art Deco artistry.The overall condition of this nearly 100-year-old piece is remarkable, particularly considering its age. Minor color loss, as depicted in the photos, is the only notable issue. The original patina remains intact, retaining its exquisite depth and dimensionality.
  • Roland Paris, a prominent figure in the Art Deco movement, created the captivating bronze group “Satanelle” or “Le Diable Amoreaux” around 1928. Modeled and cast as characters from the Pantomime ballet, with the caped Satan looming over his masked and caped female companion, on a shaped black and white marble base, signed ROLAND PARIS. His work often reflected a compassionate perspective, contrasting with the more biting critiques of his contemporaries. His ability to infuse his creations with a sense of humanity set him apart, as evidenced by his acclaimed piece featured on the cover of Alberto Shayo’s book, a testament to its significance within his body of work.Born in Vienna (1894-1945) Paris, he honed his craft at the Weimar Kunstschule before furthering his studies in Munich. His artistic pursuits extended beyond sculpture, including wood carving, graphic design, and illustration. Renowned for his unique style, Paris was distinguished by his satirical caricatures and whimsical humor. While he likely drew inspiration from artists like George Grosz and Otto Dix, his approach was notably more empathetic, portraying his subjects with kindness and a softer touch.Paris eventually settled in Berlin, establishing himself as a versatile artist with a distinct aesthetic. The bronze group “Satanelle” or “Le Diable Amoreaux” is a tribute to Paris’s skill and artistry. This piece exemplifies his ability to capture the essence of his subjects with depth and sensitivity. Paris’s legacy extends beyond his technical proficiency; his unique approach to portraying humanity shines through, making his work influential and enduring in Art Deco artistry.The overall condition of this nearly 100-year-old piece is remarkable, particularly considering its age. Minor color loss, as depicted in the photos, is the only notable issue. The original patina remains intact, retaining its exquisite depth and dimensionality.
  • Roland Paris, a prominent figure in the Art Deco movement, created the captivating bronze group “Satanelle” or “Le Diable Amoreaux” around 1928. Modeled and cast as characters from the Pantomime ballet, with the caped Satan looming over his masked and caped female companion, on a shaped black and white marble base, signed ROLAND PARIS. His work often reflected a compassionate perspective, contrasting with the more biting critiques of his contemporaries. His ability to infuse his creations with a sense of humanity set him apart, as evidenced by his acclaimed piece featured on the cover of Alberto Shayo’s book, a testament to its significance within his body of work.Born in Vienna (1894-1945) Paris, he honed his craft at the Weimar Kunstschule before furthering his studies in Munich. His artistic pursuits extended beyond sculpture, including wood carving, graphic design, and illustration. Renowned for his unique style, Paris was distinguished by his satirical caricatures and whimsical humor. While he likely drew inspiration from artists like George Grosz and Otto Dix, his approach was notably more empathetic, portraying his subjects with kindness and a softer touch.Paris eventually settled in Berlin, establishing himself as a versatile artist with a distinct aesthetic. The bronze group “Satanelle” or “Le Diable Amoreaux” is a tribute to Paris’s skill and artistry. This piece exemplifies his ability to capture the essence of his subjects with depth and sensitivity. Paris’s legacy extends beyond his technical proficiency; his unique approach to portraying humanity shines through, making his work influential and enduring in Art Deco artistry.The overall condition of this nearly 100-year-old piece is remarkable, particularly considering its age. Minor color loss, as depicted in the photos, is the only notable issue. The original patina remains intact, retaining its exquisite depth and dimensionality.
  • Roland Paris, a prominent figure in the Art Deco movement, created the captivating bronze group “Satanelle” or “Le Diable Amoreaux” around 1928. Modeled and cast as characters from the Pantomime ballet, with the caped Satan looming over his masked and caped female companion, on a shaped black and white marble base, signed ROLAND PARIS. His work often reflected a compassionate perspective, contrasting with the more biting critiques of his contemporaries. His ability to infuse his creations with a sense of humanity set him apart, as evidenced by his acclaimed piece featured on the cover of Alberto Shayo’s book, a testament to its significance within his body of work.Born in Vienna (1894-1945) Paris, he honed his craft at the Weimar Kunstschule before furthering his studies in Munich. His artistic pursuits extended beyond sculpture, including wood carving, graphic design, and illustration. Renowned for his unique style, Paris was distinguished by his satirical caricatures and whimsical humor. While he likely drew inspiration from artists like George Grosz and Otto Dix, his approach was notably more empathetic, portraying his subjects with kindness and a softer touch.Paris eventually settled in Berlin, establishing himself as a versatile artist with a distinct aesthetic. The bronze group “Satanelle” or “Le Diable Amoreaux” is a tribute to Paris’s skill and artistry. This piece exemplifies his ability to capture the essence of his subjects with depth and sensitivity. Paris’s legacy extends beyond his technical proficiency; his unique approach to portraying humanity shines through, making his work influential and enduring in Art Deco artistry.The overall condition of this nearly 100-year-old piece is remarkable, particularly considering its age. Minor color loss, as depicted in the photos, is the only notable issue. The original patina remains intact, retaining its exquisite depth and dimensionality.
  • Roland Paris, a prominent figure in the Art Deco movement, created the captivating bronze group “Satanelle” or “Le Diable Amoreaux” around 1928. Modeled and cast as characters from the Pantomime ballet, with the caped Satan looming over his masked and caped female companion, on a shaped black and white marble base, signed ROLAND PARIS. His work often reflected a compassionate perspective, contrasting with the more biting critiques of his contemporaries. His ability to infuse his creations with a sense of humanity set him apart, as evidenced by his acclaimed piece featured on the cover of Alberto Shayo’s book, a testament to its significance within his body of work.Born in Vienna (1894-1945) Paris, he honed his craft at the Weimar Kunstschule before furthering his studies in Munich. His artistic pursuits extended beyond sculpture, including wood carving, graphic design, and illustration. Renowned for his unique style, Paris was distinguished by his satirical caricatures and whimsical humor. While he likely drew inspiration from artists like George Grosz and Otto Dix, his approach was notably more empathetic, portraying his subjects with kindness and a softer touch.Paris eventually settled in Berlin, establishing himself as a versatile artist with a distinct aesthetic. The bronze group “Satanelle” or “Le Diable Amoreaux” is a tribute to Paris’s skill and artistry. This piece exemplifies his ability to capture the essence of his subjects with depth and sensitivity. Paris’s legacy extends beyond his technical proficiency; his unique approach to portraying humanity shines through, making his work influential and enduring in Art Deco artistry.The overall condition of this nearly 100-year-old piece is remarkable, particularly considering its age. Minor color loss, as depicted in the photos, is the only notable issue. The original patina remains intact, retaining its exquisite depth and dimensionality.
  • Roland Paris, a prominent figure in the Art Deco movement, created the captivating bronze group “Satanelle” or “Le Diable Amoreaux” around 1928. Modeled and cast as characters from the Pantomime ballet, with the caped Satan looming over his masked and caped female companion, on a shaped black and white marble base, signed ROLAND PARIS. His work often reflected a compassionate perspective, contrasting with the more biting critiques of his contemporaries. His ability to infuse his creations with a sense of humanity set him apart, as evidenced by his acclaimed piece featured on the cover of Alberto Shayo’s book, a testament to its significance within his body of work.Born in Vienna (1894-1945) Paris, he honed his craft at the Weimar Kunstschule before furthering his studies in Munich. His artistic pursuits extended beyond sculpture, including wood carving, graphic design, and illustration. Renowned for his unique style, Paris was distinguished by his satirical caricatures and whimsical humor. While he likely drew inspiration from artists like George Grosz and Otto Dix, his approach was notably more empathetic, portraying his subjects with kindness and a softer touch.Paris eventually settled in Berlin, establishing himself as a versatile artist with a distinct aesthetic. The bronze group “Satanelle” or “Le Diable Amoreaux” is a tribute to Paris’s skill and artistry. This piece exemplifies his ability to capture the essence of his subjects with depth and sensitivity. Paris’s legacy extends beyond his technical proficiency; his unique approach to portraying humanity shines through, making his work influential and enduring in Art Deco artistry.The overall condition of this nearly 100-year-old piece is remarkable, particularly considering its age. Minor color loss, as depicted in the photos, is the only notable issue. The original patina remains intact, retaining its exquisite depth and dimensionality.
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ROLAND PARIS COLD-PAINTED BRONZE GROUP 'SATANELLA' OR 'LE DIABLE AMOREAUX', CIRCA 1928

Item #3793

Roland Paris, a prominent figure in the Art Deco movement, created the captivating bronze group “Satanelle” or “Le Diable Amoreaux” around 1928. He modeled and cast as characters from the Pantomime ballet, with the caped Satan looming over his masked and caped female companion on a shaped black and white marble base.  His work often reflected a compassionate perspective, contrasting with the more biting critiques of his contemporaries. His ability to infuse his creations with a sense of humanity set him apart, as evidenced by his acclaimed piece featured on the cover of Alberto Shayo’s book, a testament to its significance within his body of work.

 

Born in Vienna (1894-1945) Paris, he honed his craft at the Weimar Kunstschule before furthering his studies in Munich. His artistic pursuits extended beyond sculpture, including wood carving, graphic design, and illustration. Renowned for his unique style, Paris was distinguished by his satirical caricatures and whimsical humor. He  likely drew inspiration from artists like George Grosz and Otto Dix, thoughhis approach was notably more empathetic,

 

Paris eventually settled in Berlin, establishing himself as a versatile artist with a distinct aesthetic. The bronze group “Satanelle” or “Le Diable Amoreaux” is a tribute to Paris’s skill and artistry. This piece exemplifies his ability to capture the essence of his subjects with depth and sensitivity. Paris’s legacy extends beyond his technical proficiency; his unique approach to portraying humanity shines through, making his work influential and enduring in Art Deco artistry.

 

The overall condition of this nearly 100-year-old piece is remarkable, particularly considering its age. The original patina remains intact, retaining its exquisite depth and dimensionality.

 

We currently have a very interesting offering of carved jester masks and cane here on our site, both unique rare pieces by the artist.

 

Measurements

15.75″ T x 14.4” W

Price (USD)

$ 8,500
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